Sketch of a cow

Materials used:

Watercolour sketchpad: Arches, Hot Pressed A4 185gsm, 100% cotton, 300 gsm 

Pen for drawing: Dip pen – Tachikawa T-40 Rubber Grip Nibholder and Nikko Spoon Nib

Ink: Rohrer & Klingner Calligraphy and Drawing Ink Schwarz (Black)

Watercolours: Rembrandt Pocket Box 12 Pans by Royal Talens

A yellow house in Bucharest – ink and watercolor sketch

Ink and watercolor

Materials used:

Watercolour sketchpad: Langton Watercolour Paper, hot-pressed, 100% cotton, 300 gsm 

Pen for drawing: Duke  2009 Charlie Chaplin Commemoration Bent Nib Fountain Pen, Dark Blue Color, Calligraphy Collection Fude Pen 0.5-1.2 mm

Ink: Bulletproof EEL Noodlers’s Fountain Pen Ink-Black

Watercolours; Winsor&Newton Professional

Sketching a goose

Ink and watercolour
Direct watercolour

I sketched a goose today. Before filming the process for a YouTube video I tried out to sketch the goose to practise and to warm up my hand. There were 3 times I sketched the goose before the fourth final one.

The first one was with direct watercolour and background.

Graphite 3B pencil

The second drawing I did with a plain graphite 3B pencil with a bit of shading.

Watercolour and colored pencils

For the third one I began with a 3B pencil. Then I added watercolour and in the end I used some final touches of colored pencils.

 

For the sketch I filmed I used a fude bent nib fountain pen. Duke fountain pen with Noodler’s black waterproof ink. Then I applied watercolour. I should have waited longer for the ink to dry. Even though it is waterproof, the ink interacted with water creating a grey wash. This did not bother me, because I applied watercolour on the shady parts only. I did not do the background for the final one.  I learned from the preparatory sketches that a background makes the subject unclear. So, a white background makes the subject more readable.

Materials used:

Watercolour sketchpad: SMLT Art, watercolour paper, 100% cotton, 300 gsm

Pen for drawing: Duke  2009 Charlie Chaplin Commemoration Bent Nib Fountain Pen, Dark Blue Color, Calligraphy Collection Fude Pen 0.5-1.2 mm

Ink: Bulletproof EEL Noodlers’s Fountain Pen Ink-Black

Watercolours; Winsor&Newton Professional

Colored pencils: Caran d’Ache Luminance pencils

Graphite pencil: 3B, Faber Castell

Clopotarii Vechi Street, Bucharest (Feb 2022)

Sketch from a reference photo I took recently while walking on a weekend.

Materials used:

Arches Paper  – Hot pressed, 185 gsm, 100% cotton

Dip Pen – Tachikawa T-40 Rubber Grip Nibholder

Nikko G Nib

Watercolours – Winsor & Newton Professional: French Ultramarine (PB29), Yellow ochre (PY43), Alizarin Crimson (PR83).

Synthetic Brush – Winsor & Newton Cotman 111 Round No. 10

Kretzulescu Church, Bucharest (August 2019)

Muse watercolor paper (A5, 300 gsm), Royal Talens watercolors, Winsor and Newton India ink, Gelly Roll white pen

Kretzulescu Church, Bucharest (August 2019)

This  urban sketch was done on location in Bucharest in August 2019. The observation point chosen was from the stairs behind the Kretzulescu Church. Being very close to the sketched subject it offered a point of view with a steep perspective. During that time I was looking for locations to urban sketch in the central Bucharest and found this Eastern Orthodox church. The initial outline of the drawing was done with a 3B pencil. Then the line work was done with a sharp stick dipped in India ink (Winsor and Newton). There were many decorative architectural elements that were fun to draw. You can see places where drops of ink fell by mistake off the stick. I tried to incorporate them into a pattern that was suggesting the texture of the cobblestones. I drew this sketch three days in a row every evening for one or two hours after leaving work. At one point a couple of tourists approached me and asked me if the sketch was for sale. But at that moment it was not finished and I told them it was not for sale. Also every evening a girl passed by walking her dog there and looked at the sketch. She asked me how it was progressing. After the line work was done, I applied the watercolor washes in two or three layers. The watercolor set I was using at that time was Royal Talens, an economical choice and with fairly good quality. The paper that was sketched on was  Muse watercolor paper, 300 gsm, made of cellulose which stands for good amounts of water. It doesn not buckle and makes it suitable for wet on wet technique. After completing the watercolor painting, I added other details and depths with ink. For the final highlights and white lines I used a Gelly Roll white pen.

Urban sketching is a relaxing activity, a way of observing the things that surround us daily and a way of learning the fundamentals of drawing.